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Prepare Audiophile Lossless Files for Car CD Player

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We store our HD music differnt ways. We have HD downloaded files (192 or 96 kHz with 24-bit resolution). Or we buy DVD-audio for our home audiophile system.

But many car stereos can read only CD audio. Therefore often it's one alternative for playing lossless audio in car audio system.

Need convert HD downloaded audio to WAV files (16 bit/44 kHz format) for burning of CD.

Or rip DVD-audio to WAV or FLAC with converting to WAV 16/44.

Bit-depth and sampling rate conversions (lossless audio file resolution conversion) loss quality always.

Convert music library to CD for car audio

Audio resolution conversion burn some distortions (artefacts, noise):

1) Non-linear (additional sound - "dirt");

2) Phase (different time delay of spectrum parts, bad for drums, pianos, other instruments with sharp sound attack);

3) Pre-ringing  and post-ringing (additional sound before and after time front of audio signal);

4) Quantization errors (when changing bit-depth).

Best audio resolution converters be able to process sound with minimal level of the distortions.

alphaD dithering algorithm mask quantization error noise (16 bit to 24 bit and 24 to 16) to improve of sound transparency.

Ideal conversion software is a tool with minimum artefacts and suitable minimalistic user interface.

As show experience, not need a lot setting obscure for user. Manufacturer must tune your product to best possible sound.

User should have possibility select some settings for his tasks without  useless spending of time.

Recommended version is Audiophil-E:

1. Fast parallel batch processing.

2. Support no-pre-ringing conversion of output files for decreasing artefacts into converted sound.

Simply try:

1. Rip CD to WAV or FLAC 16 bit / 44 kHz

2. Simply convert WAV (16 bit / 44 kHz) to WAV (16 bit / 44 kHz) with AuI ConverteR (dithering turn on)

3. Burn CD and listen it.

 

Download FREE DEMO (with supporting all sound capacity) and try purity of converted sound before buying now.

AuI ConverteR 48x44

audiophile resolution converter for your lossless files


For upgrade contact us.

Comparison of Editions in Short

          Comparison in Details
FREE
Lite
$33.5*
Audiophil-E
$109.7*
PROduce-R
$147.8*
PROduce-RD
$249.8*
Modula-R
from $22.1**
 
 
 
 
 
 

Configure options and order for saving budget >

Modula-R's modules are NOT compatible with Lite, Audiophil-E, PROduce-R, PROduce-RD.

You can upgrade your Modula-R in the future via ordering modules.

Minimal configurations:

  PCM to PCM
     WIN >    MAC >

  ISO to PCM
     WIN >    MAC >

  ISO to DSF
     WIN >    MAC >

  DSF, DFF to PCM
     WIN >    MAC >

  PCM to DSF
     WIN >    MAC >

  DFF, DSF to DSF
     WIN >    MAC >

  Safe CD ripper
     WIN >    MAC >

  Metadata editor
     WIN >    MAC >

  

  Ask for advice >

  

  Request for personal configuration >

  

  Configure / check price immediately >

 Free  Lite  Audiophil-E  PROduce-R  PROduce-RD
 
 
 

Comparison of Editions in Details

 
 
Functionality
FREE


 
Lite

$33.5*
 
Audiophil-E

$109.7*
 
PROduce-R

$147.8*
 
PROduce-RD

$249.8*
 
Output DSF D64/128/256/512 2 sec silence in middle file
≥ 3 min
     
Input DSF, DFF, ISO 2 sec silence in middle file
≥ 3 min

D64/128/256/512
       1-bit
2.8(D64),
5.6(D128)


MHz
1-bit
2.8(D64),
5.6(D128)


MHz
1-bit
2.8(D64),
5.6(D128),
11.2(D256),
22.5(D512)
MHz
True Gapless Conversion        
FLAC/AIFF 32 bit        
Lossless formats WAV, FLAC, AIF, AIFF, AIFF/sowt, m4a (ALAC), APE
Lossy formats mp3, WMA, m4a, mp4, ogg and more
CD ripper get CD info from Internet 1 track
Input CUE + file    
Support meta tags (album and track name, artist, etc.)  
DSF, FLAC, WAV, AIFF tag editor
Batch processing of group of files 2 sec silence in middle output file:
- since 2 file for PCM to PCM,
- since 1 file for all other
Multiple files in parallel
Multichannel files (more 2 channels) output
≤ 3 min
Downmix 5.1 to stereo
     
Output volume adjust      
Inverting phase audio      
Input / output sample rates 352, 384 kHz WAV, AIFF, FLAC,...     WAV, AIFF, FLAC,... WAV, AIFF, FLAC,...
Output sample rates 705, 768 kHz WAV, AIFF     WAV, AIFF WAV, AIFF
Input / output sample rates 22, 44, 48, 88, 96, 176, 192 kHz
Bit-depth samples of input files: 16, 24, 32 (wav), 64 integer and 32, 64 floating point
Bit-depth samples of output files:  
        16 and 24 bit
        32 bit (wav)    
        32 bit (floating point)
        64 bit and 64 bit
          (floating point)
     
alphaC sample rate and bit-depth conversion algorithm
alphaD dithering algorithm
Audio processing 64-bit floating point
External format converters of files (download codec by demand, user can add own extensions) 9 only 9 only
Support extensible WAV-file's formats (sampler's notes, BWF - Broadcast Wave Format etc.)      
Support WAV 64-bit (RF64) format (size more 2 gigabyte)  
Search files by sample rate, bit-depth, format
   
No pre-ringing (minimum phase filter)
 
Launch via command Line    
Possible start more one instance of application simultaneously    
Additional skins, editing and creating custom skins  
Count skins   10 10 10
Commercial using  
Extra Warranty    

    *All prices without EU VAT and/or other applied taxes and/or local fees

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Last News

How to Convert m4a to WAV on Mac OSX, Windows [Article]

Tutorials

Tutorial how to convert m4a to wav audio files under Windows, Mac OS X to playback at capable digital music players, car stereo and other music devices and software.

What is FLAC File [Article]

FLAC (Free Lossless Audio Codec) is audio codec to lossless compression and file container for music stuff. This file have extension like the codec name.

"Lossless" mean "original and compressed audio content are fully identical binary".

Sound quality issues are reviewed below.

Where is the Limit of Audio Quality?

I read many endless discussions about audio equipment: cables, lossless vs. lossy, compression algorithms, jitter, ultrasound, playback files from different places of hard disk, power conditioners, etc.

I suppose, reason of the discussions is small perceived sound difference, that is not obvious for everybody, or no difference.

It is the end of high-end?

Below I want to discuss: can we get sound improvement, obvious for almost everyone, in future audio equipment?

Read more...
 
 

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