What is Jitter in Audio. Sound Quality Issues [Explanation]

Jitter is time distortions of recording/playback of digital audio signal due clock deviation. More than one digital audio system owner worry about it. Other people consider digital audio jitter issue as myth, that is inaudible. Read about reasons, estimation, suppression, can you hear jitter or not and other in the article.

 

 

Digital-analog converter (DAC) transform sample sequence (digital values) to analog voltage level sequence. In the ideal case, same time distance between the samples should be provided. The distance is defined by clocking. However, clocking in not ideal and restored signal is distorted like it is shown at the picture.

 

Jitter time distortions of playing back digital signal

 

At upper left part of the picture we can see original musical signal (green) captured into digital form.

At the bottom left part of the picture we can see restoration of the captured digital signal back to analog form.

The samples (vertical lines with dot) have unstable time position (jitter) at horizontal axis. And restored signal is distorted. We can see it at right part of the picture.

 

 

 

Jitter is non-linear distortions. Theoretically, we can artifically boost jitter deviation and listen more noise and artefacts.

In real life, jitter always impact to analog signal at DAC output. But it's too small for modern systems. I think, it is impossibly or almost impossibly to listen jitter. Because jitter distortions compete with quantization noise, non-linear distortions and own noise of electronic components. I'm not sure, that we can separate real-system-jitter noise and rest noise/distortions.

 

 

 

Jitter is sample clock issue (clock deviation).

Jitter appear in moment when digital signal in line is transformed to binary sequence.

 

How the jitter appear
[bit value (0/1) detection]

 

To transmit music data thru line (cable), bit sequence is converted to electrical form. Coding in the electrical form may be implemented different ways (voltage level values or other).

Here we consider simple amplitude coding: signal voltage level above threshold (dot line at the picture) is binary value 1, below is binary value 0.

The line transmitter device convert binary data to electrical levels. The line receiver device convert electrical levels back to binary sequence.

And clock reference moments is the points, where voltage level get higher the threshold.

 

Below we will consider where the jitter penetrate to the audio system.

 

 

 

Jitter is non linear distortions. To measure jitter need put pure sine to input of a learned system.

 

Scheme of the jitter measurement

 

At the system output we check artifacts (harmonics) and noise.

 

Jitter spectrum

Jitter products (artifacts and noise) depend on the input signal. To check the dependency we can take spectrum for different input signal level and frequency.

At the picture is not real spectrum. It is only illustration for better understanding.

We can measure:

1. full system,
2. ADC's digital output by spectrum analyzer,
3. DAC's analog output by mathematically modeled sine.

Measurements #2 and #3 allow to separate errors of system parts.

 

 

Jitter vs delay

Jitter is deviation time between samples. Delay is shifting of full signal waveform with keeping time distance between samples.

 

 

Jitter vs latency

Latency is delay for processing inside audio device (read below about FIFO buffer).

 

 

 

Above we considered, that clock deviation is effect of digital signal distortions.

There are several factors that impact to clock deviation:

• clock generator instability,
• noise in digital audio signal line.

Clock generator have electronic elements, that define frequency and its deviation.

Changing of power DC voltage can cause frequency deviations of the clock generator.

Power supply unit can generate noise into electrical lines. This noise can modulate the generated clock impulses.

Modified clock signal cause the time deviation (see the picture).

 

Noise, that impact to digital audio signal line, penetrate from electrical circuits and the air.

 

 

 

Unfortunately, jitter is not pure DAC issue. When we use recorded stuff, we have jittered sequence of digital samples.

To understand fully jitter issue need to learn full recording-playback system.

1. First jitter source is clock generator of analog-digital converter (ADC),
2. Then digital signal pass thru the digital audio system without time errors,
3. Digital music signal come to DAC and converted to analog with time errors (read details below).

 

Jitter into full audio system

 

Capturing of music is periodical measurements of analog signal. If the periods will vary, it cause time distortions in recorded audio samples.

 

Jitter of audio recording.
Let's compare capturing with jitter and without
 

 

In the upper left part of the picture signal captured without jitter.

In the lower left part of the picture signal captured with jitter.

We can see that samples for both these cases have different values.

I.e. after restoration to analog form (playback) signal, captured with and without jitter, have different waveforms of the analog signal.

If music was recorded with jitter errors we can't compensate it further. Because the jitter is random.
As rule, in a recording studios use professional apparatus, including dedicated clock sources (Word Clock [1], as example). Therefore, engineers in the studios try maximally decrease losses due bad clock.

 

 

 

Let's look to point #2 (digital signal pass thru the digital audio system). When signal is placed into digital domain (signal in digital form) jitter is not matter. Because time scores for binary signal form have pure mathematical values with infinite precision.
Any delays in processing between samples are not matter for restored signal.

However, processing delays into digital domain can cause real-time interruptions of data stream, that feed DAC. But it is not jitter issue. Read details below.

 

 

 

Now let's look to point #3 (signal come to DAC from pure digital part of the audio system).

 

Points of audio jitter impact

 

Noise, that cause jitter, penetrate to digital signal several ways from:

• computer power supply unit (PSU) to digital audio interface clock generator,
• computer power supply unit thru digital audio interface to digital audio cable,
• air to digital audio interface of DAC device,
• DAC PSU to DAC's digital interface,
• DAC PSU to DAC-chip,
• DAC clock generator,
• DAC PSU to DAC's clock generator.

However, FIFO buffers provide "jitter isolation" between any "jittered" segment.

 

 

FIFO buffer with asynchronous writing (input) and reading (output).
Sample move thru buffer step-by-step
 

 

Jitter before FIFO-buffer don't impact to clock after FIFO. Because the buffer is asynchronous.

Therefore, there are no reasons to worry about jitter before FIFO into DAC for scheme considered at the picture above.

For an audio system, before suggesting of effective jitter suppression, learning of the system scheme is recommended.

In most cases, asynchronous FIFO buffer allow to fix interruptions in a binary data stream. Of course, significant interruptions can't be fixed by FIFO. The non-fixed interruptions cause pauses, clicks or other sound damages. It happens when the buffer is empty and no binary data ready for conversion to analog form.

 

 

 

DAC clock synchronization have 3 options:

1. by DAC digital interface (SPDIF, as example);
2. by internal clock generator;
3. by external dedicated clock generator.

 

Below we consider cases for DAC with internal FIFO of input audio data.

 

Synchronization by digital interface have jitter sources:

• clock generator and PSU of the digital line transmitter;
• air noise impact to signal during transmitting thru cable;
• PSU of DAC.

 

Synchronization by DAC's internal clock generator have primary jitter sources:

• this generator;
• PSU of DAC.
•  

Synchronization by external dedicated clock generator have jitter sources:

• the external clock generator and its PSU;
• air noise impact to clock signal during transmitting thru cable;
• PSU of DAC.

 

For home applications I'd recommend to use DAC's internal clock generator as simplest way. It may be chosen in the DAC's settings.

However, it is not guarantee the best result. Each setup should be analyzed (measured) to choose the minimal jitter configuration.

 

 

 

1. The jitter affect only during transformation digital to analog signal or back.
2. Jitter can't distort signal in digital domain. Jitter can't distort signal in analog domain.
3. Jitter may be measured by distortions of the input test sine of analyzed music system.
4. FIFO asynchronous buffer isolate the system parts from jitter.
5. As rule, if DAC's internal or external dedicated clock generator is used for synchronization, jitter suppressing before DAC's digital input have no sense.
6. If DAC use synchronization by digital audio input, jitter suppressing before DAC may have sense.
7. Most effective jitter suppressing may be achieved after analysis of the audio system scheme (including device schemes) and measurements.

 

Yuri Korzunov,
Audiophile Inventory developer, Google+

 

References

1. About clock in recording studios

 

 

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Read about audio issues

1. 64-bit audio processing. Necessity or redundancy >
2. What is Audio Converter >
3. How to Choose the Best Audio Converter Software >
4. What Is Ringing Audio >
5. What is dithering audio? >
6. Bit-Depth Audio and Harmonic Distortions >
7. Audio as Optics >
8. What is optimization audio for DAC >
9. Where is the Limit of Audio Quality? >
10. Power Conditioner for Audio. It's real advantage? >

 

 

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