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Hi-Res Audio |> 2018 <| Where are Free Downloads | 7 Myths >

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Audio Basis - educational articles

High resolution (hi-res audio) audio is one of widespread audiophile and music production terms. Read quick guide: what is hi-res audio? Where free downloads? Where online streaming? High-Res vs 44.1/16, Myths and other things that you want to know.


 
 
WARNING:
• DSF, DFF, ISO (1-bit audio) is supported in maximal PROduce-RD and configurable Modula-R
• For ISO tracks, DSF, DFF with length more 3 minutes FREE demo mute 2 second silence in the output middle
• DVD ISO is NOT supported


Why Hi Res need?

 

High resolution audio is sound formats (signals) with resolutions above 16 bit / 44.1 or 48 kHz, including 1-bit DSD (Direct Stream Digital).

Hi-res audio was designed to provide higher sound quality, than standard CD-audio. Read below: is the aim achieved or not?

PCM 44.1 kHz / 16 bit vs. High resolution audio PCM and DSD

PCM 44.1 kHz /16 bit vs Hi-Res PCM and DSD

Some kinds of music with wide range of instrument loudness (like classical, jazz), demands wider dynamic range of audio system.
The range may be achieved via increasing of resolution. Read details in "Why bit depth above 16 bit is need" part below.

High resolution records was designed for music with wide loudness range

High resolution music records

There are many questions about necessity of hi resolution musical records.
One people thinks, that "excessive" resolution waste memory only.
Other people thinks, that such records are need to produce ultrasound.
But, by author opinion, existing of high-res may be useful and have other reasons. Read below "Myths" part below.

High resolution audio file formats
(sample rates)

 

High resolution audio formats (sampling rates)

 

High resolution audio file formats
(bith depth)

 

High resolution audio formats (bit depths)

Opinion, that high res give advantages always, is not correct for all cases.
Sometimes people, who play records with high sample rates, stumble with unexpected noise or other unwanted sounds.
In "Myths" part you can watch video with example.

 

Hi-res playback

Hi resolution may be played back at:

  • computers,
  • portable audio players,
  • mobile phones [smartphones],
  • tablet computers,
  • music servers,
  • SACD and BlueRay players,
  • other.

High resolution audio file player software list

 

Separate [DAC-headphone amplifier] device may be used to connect to mobile phone, portable player, computer and other.

There are high res audio players for Mac, Windows [PC], iPhone, Android.

There is Bluetooth for high resolution audio [aptX™ HD] may be used. It support 48 kHz / 24 bit LPCM audio data.

 

High-res audio converters

Audiophile and professional audio conversion software should provide wide range of sample rates and bit depth, including 32-/64-bit.

List of converter software for high resolution audio files

 

 

High resolution audio PCM

 

High resolution PCM is supported by lossless files: WAV, AIFF, FLAC (up to 384 kHz / 32 bit), WV (WavPack), DVD, Blue-Ray and other.

Also 32/64-bit float formats are high resolution formats. But these format are intended for music production and scientific purposes rather.

Read details below in "Bit depth" and "Sample rate" parts.

Read more about PCM formats >

 

 

DSD

 

DSD (Direct Stream Digital) is 1-bit audio format with very high sample rate (from 2.8 MHz) and based on sigma delta modulation.

To reduce noise level and expand dynamic range, noise shaping is used there.

Mediums as DSF/DFF/SACD ISO files, SACD optical disk.

Read details about DSD >

Watch and share: What is DSD audio? Video explanation
 

 

 

DXD

 

DXD (Digital eXtreme Definition) is PCM format with high sample rate, that derived from DSD.
Other words, DXD contains low part of DSD spectrum with noise.
Only part of DXD spectrum contains useful audio signal.
Noise level is grow with grow of frequency.

As rule, DXD have sample rates 352 800 Hz and above and bit depth above 24 bit and above.

Primarily, DXD format is intended to editing DSD purpoces.
However, there are other formats may be used too.
Read details about DSD editing >

However, not all PCM files with such sample rates are DXD. Traditional PCM have no significant noise level grow at high frequencies.

Playback devices can filter high frequency noise.

More about DXD here.

 

 

Size compression for audiophiles

 

FLAC

Lossless method to compress PCM audio up to 384 kHz / 32 bit. Read details here >

 

DST

DST (Direct Stream Transfer) is compression method for DSD (1-bit audio) sound files. May be applied in *.dff files.

 

MQA

MQA is intended to PCM high res audio size compression.
As rule, it have compression ratio better, that FLAC.
But, as author know, MQA is not lossless (no losses of information after restorting audio from compressed stuff). Read details here.

Also read about MQA.

MQA official site

 

 

PCM vs DSD vs DXD sound quality

 

All formats give sound system designers same abilities. Final result depend on how audio system is done.

PCM have no technological noise "hump" at high frequencies. DSD and DSD have.

So there is no necessity to suppress the noise excess at high frequencies.

However, we don't hear ultrasound (see details below in "Myths"). And the noise is harmless for hearing.

Nevertheless, audio system hardware and, sometimes, software have non-linear distortions.
The distortions can cause generation of audible products (noise, as rule) by inaudible noise. See more here >

Read about DSD vs PCM >


Watch and share: DSD vs FLAC [Format Comparison]
 

 

 

Why bit depth above 16 bit is need

 

When bit depth discussed, human hearing range (about 130 dB from inaudible to pain) is taken as reference value.

16 bit have difference about 96 ... 110 dB between lowest (noise floor) and highest peak levels.
It looks like enough to cover almost full range 130 dB.

However, the range don't consider sound quality aspects.

Low hearing threshold 0 dB (quiet rustle of leaves, as example) is sound with own singal/noise ratio.

As example, we want to provide proper sound quality (like tape's 60 dB, as example) at 0 dB audible level.

So we can add about 60 dB to 130 dB (total about 180 dB) to provide allowable sound quality at lowest levels.

Why bit depth, higher than 16 bit, is need.
Look at signal/noise ratio of lowest loudness (quiet instruments)

Why bit depth, higher than 16 bit, is need

 

It is not exact numbers, because author don't have result of researches. But we can get it as hypothesis.

So bit depths, higher, than 16 bit, may be needed.

DSD solve dynamic range issue via noise shaping.

Read details about: DSD noise shaping >

More about hearing range here

 

 

Why sample rate above 44.1 kHz is need

 

Sample rate 44100 Hz:

  • cover audible band 0 ... 20 000 Hz and
  • have 2050 Hz reserve for transient band of low frequency filter (in ADC and DAC).

However, the reserve is considered abstractly. Real-life filters are analog. And have wide transient band.

To solve the wide transient band issue, gigital filters and higher sample rates or oversampling are used.

But digital filters are not ideal and have:

  • ringing audio (property of digital filters);
  • limitation of minimal size of transient band (due limited computing resources of example).

To reduce necessity in "hard" efforts to proper filter transient band, higher sample rates (including DSD) may be applied.

Read details issues of sample rate and filters:

 

 

Myths

 

Myth #1. High resolution audio have no sense because we can't hear ultrasound

High res is not intended to recording and playback ultrasound.

ADC and DAC have analog filter at input and output respectively.

Analog filters are not steep and can't suppress aliases properly in allowable band 20 000...22 050 Hz for 44 100 Hz sample rate.

Higher sample rates allow to place aliases at higher frequencies, in better suppression range of analog filter.

The issue may be partially solved via digital filtering and decimation in ADC or oversampling and digital filtering in DAC. However, may be issue with quality of filtering due limited computing resources of hardware.

Resume: high resolution is intended to analog filters in ADC and DAC. And ultrasound playback is sequece of higher sample rates. Ultrasound playback is not aim of hi-res records.

 

Myth #2. High resolution have sense because it playback ultrasound

Practical experience, that may be checked right at home, says, that we cant hear sines with frequencies above 16 ... 22 kHz. And there no surprises for number trials.

There is study:

  1. Toshiyuki Nishiguchi, Kimio Hamasaki, Masakazu Iwaki and Akio Ando: Perceptual Discrimination between Musical Sounds with and without Very High Frequency Components

This study don't found significant difference between samples with and without very high frequency components. However, the authors of the research neither confirm nor deny general human possibility to discrimination of music with and without the components.

 

Other hand, some researches, that studied ultrasound issues:

  1. Milind N. Kunchur, 2007: Temporal resolution of hearing probed by bandwidth restriction

     
  2. Lisa Zyga, 2013: Human hearing beats the Fourier uncertainty principle

     
  3. Tsutomu Oohashi, Emi Nishina, Manabu Honda, Yoshiharu Yonekura, Yoshitaka Fuwamoto, Norie Kawai, Tadao Maekawa, Satoshi Nakamura, Hidenao Fukuyama and Hiroshi Shibasaki, 2000: Inaudible High-Frequency Sounds Affect Brain Activity: Hypersonic Effect

 

Some of the studied show, that we may have brain response to ultrasound. But, it is unknown, how ultrasound impact to sound quality.

 

Myth #3. Hi Res audio sound nicer (or closer to analog) because it cause lesser "stairs"

Digital signal don't cause "stairs" in any resolution. Because analog filter at output works as interpolator (connect momentary voltage values of digital samples via smooth curve).

Digital signal isn't stairs

Digital signal isn't stairs

For high resolutions interpolator (analog low frequency filter) is easier to implementation in better quality (see myth #1).

 

Myth #4. We can compare 24 bit / 192 kHz versus 16 bit / 44.1 kHz, DSD vs PCM, etc.

To the comparison we must have pure samples, that cleared of other factors.

As rule, such comparison considered as blind test of samples that provided by a label in different resolution. As example, one album in 24 bit/192 000 Hz and 16 bit/44 100 Hz.

However, main issue is there, that it is impossible to record "clean samples".

As example, we split sound from microphone to 2 audio interfaces, that works in different resolutions. But we can't split absolutelly identically. An identity of 2 audio interfaces is more sophisticated task, than the splitting.

When single sample (music album) is converted to test with a software, we don't know that we compare: converters or resolution.

But, even, when converted samples are played back at single DAC, it may works in different modes (electrical circuit, digital processing) for various resolutions.

Author would suggest to consider all known kinds of tests like "hi-res vs 44/16" as comparison of hardware and/or software, not as comparisons of audio resolutions.

Test standard vs high resolution audio:

  1. Joshua Reiss, 2016: A Meta-Analysis Of High Resolution Audio Perceptual Evaluation

 

Myth #5. Hi-res records always bring the best sound quality

Sound quality depend on many variables: recording, playback, mixing/post-production software and hardware tools, skills of sound engineer, recording and playback environment, quality of resolution conversion and other.

Format/resolution is one of number of these variables. No warranties, that DSD1024 is sound better than standard PCM 44/16.

 

Myth #6. Hi-res formats bring advantages only

No. High resolution formats contains ultrasound. Theoretically it is not matter for ears, because we don't hear it.

But, practically, audio hardware and, sometimes, software have non-linear distortions. It can cause audible products from inaudible high frequency components (intermodulation distortions).

At the educational video below, noise removing via ultrasound filtering is shown.

Watch and share: How to remove audible noise for high resolution audio
 

 

Read more about optimization audio >

In general case, higher sample rates and bit depth guarantee nothing. Result depend on implementation quality.

Professional audio interface at 44100 Hz can give better sound, than built-in sound card at 192000 kHz.

 

Myth #7. Resampling can't improve sound quality

If consider altering audio resolution (resampling) as itself, it lossy processing always.

After upsampling no information is added. Conversely, we have losses, as we told above.

But we can't consider audio recording without considering of playback musical system.

And the system may have different distortions for various modes (combinations of sample rates and bit depths).

So, we can optimize the recording to better playback mode: choose mode with minimal distortions.

To reduce conversion losses, audio conversion algorithm should have minimal distortions.

However, it is need to remember, that sampling rate increasing don't give advantages at its own.
Theoretically, in some cases, reducing sample rate may make sound better.
In other cases, no audible difference between resolution.
Each case should be learned individually.

Read more about sound quality improvement >

 

 

High resolution audio downloads

 

DISCLAIMER: Noted in the table file formats and other details was found at the sites at the time of publication. It can be non-correct or uncomplete or changed or disappear with time.
We publish here only sites, that looks like legal by our opinion. But we don't guarantee it.
It is not advertizing or offer. Our site is not affiliated with listed sites (except Audiophile Inventory). We are not responsible for listed resources, quality of distributed records and other.

Name Description Free high resolution audio downloads
2L DSD up to DSD256 (256fs, 11.2 MHz), DXD, FLAC up to 352.8 kHz / 24 bit, MQA Download free hi res audio samples
Audite WAV up to 44.1 kHz / 16 bit, FLAC up to 96 kHz / 24 bit, including surround Hi res audio test recordings
Acoustic Sounds DSD64(64fs, 2.8 MHz), FLAC up to 192 kHz / 24 bit  
Audiophile Inventory Test signals in DSF files Free downloads
Blue Coast Records DSD up to DSD256(256fs, 11.2 MHz), WAV/FLAC up to 192 kHz Free hi res audio downloads
HDtracks DSD, AIFF/ALAC/FLAC/WAV up to 352.8 kHz / 24 bit  
High Res Audio DSD (up to DSD128), FLAC, DXD, MQA and Multichannel up to 24-Bit  
NativeDSD DSD up to DSD256 (256fs, 11.2 MHz), DXD Free sampler
ProStudioMasters DSD up to DSD256 (256fs, 11.2 MHz), FLAC/AIFF up to 352.8 kHz / 24 bit Download free hi res audio sampler
Qobuz up to 96 kHz / 24 bit  
Presto Classical FLAC up to 192 kHz / 24 bit, also physical mediums SACD, CD, DVD, Blue-Ray are available  
Sony Links to music stores  
Soundkeeper Recordings Up to 192 kHz / 24 bit Download samples

 

Look more information about:

 

 

High Res and Audiophile Streaming

 

Look at list hi res audio online resources.

DISCLAIMER: Noted in the table file formats and other details was found at the sites at the time of publication. It can be non-correct or uncomplete or changed or disappear with time.
We publish here only sites, that looks like legal by our opinion. But we don't guarantee it.
It is not advertizing or offer. Our site is not affiliated with listed sites (except Audiophile Inventory). We are not responsible for listed resources, quality of distributed media and other.

Name Description Free trial
High Res Audio up to 24 bit Yes
Primephonic up to 24 bit Yes
PrimeSeat PCM, DSD up to 11.2 MHz Yes
Qobuz up to 192 kHz / 24 bit, streaming and downloads according purchased plan Yes
Tidal FLAC 44.1 kHz / 16 bit, MQA on PC/Mac, web-player, iOS, Android, supported with audio players (details) Yes

 

 

Conclusions

 

  1. Higher sample rates solve issues of analog and digital filtering in analog-to-digital (ADC) and digital-to-analog (DAC) converters.
  2. Higher bit depths solve issues of signal/noise ratio for lowest-level musical signals.
  3. Now saving space is not so actual as before (except portable devices). But lower bit stream (bit per second) value is actual for network streaming yet. So high-resolution size compression is demanded currently.

 

Author: , ,
Audiophile Inventory's developer

 

Hi-res audio

 


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